Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 1: Another tradition gives the old Pied Bull at Islington, long since demolished, as the scene of the momentous event. It is said in its earlier days to have been a country house of Sir Walter's, and according to legend it was in his dining-room in this house that he had his first pipe. Hone, in the first volume of the "Every Day Book" tells how he and some friends visited this Pied Bull, then in a very decayed condition, and smoked their pipes in the dining-room in memory of Sir Walter. From the recently published biography of William Hone by Mr. F.W. Hackwood, we learn that the jovial party consisted of William Hone, George Cruikshank, Joseph Goodyear, and David Sage, who jointly signed a humorous memorandum of their proceedings on the occasion, from which it appears that "each of us smoked a pipe, that is to say, each of us one or more pipes, or less than one pipe, and the undersigned George Cruikshank having smoked pipes innumerable or more or less," and that "several pots of porter, in aid of the said smoking," were consumed, followed by bowls of negus made from "port wine @ 3s. 6d. per bottle (duty knocked off lately)" and other ingredients. Speeches were made and toasts proposed, and altogether the four, who desired to "have the gratification of saying hereafter that we had smoked a pipe in the same room that the man who first introduced tobacco smoked in himself," seem to have thoroughly enjoyed themselves.
From Chapter 6: The clay pipes called "aldermen," with longer stems than their predecessors, tipped with glaze, came into use towards the end of the seventeenth century. They must not be confused with the much longer "churchwarden" or "yard of clay" which was not in vogue till the early years of the nineteenth century.
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From Chapter 11: Among the chief strongholds of the old ideas and prejudices were some of the clubs. At the Athenæum the only smoking-room used to be a combined billiard-and smoking-room in the basement. It was but a few years ago that an attic story was added to the building, and smokers can now reach more comfortable quarters by means of a lift put in when the alterations were made in 1900. This new smoking-room is a very handsome, largely book-lined apartment. At the end of the room is a beautiful marble mantelpiece of late eighteenth century Italian work. At White's even cigars had not been allowed at all until 1845; and when, in 1866, some of the younger members wished to be allowed to smoke in the drawing-room, there was much perturbation, the older members bitterly opposing the proposal. "A general meeting was held to decide the question," says Mr. Ralph Nevill, in his "London Clubs," "when a number of old gentlemen who had not been seen in the club for years made their appearance, stoutly determined to resist the proposed desecration. 'Where do all these old fossils come from?' inquired a member. 'From Kensal Green,' was Mr. Alfred Montgomery's reply. 'Their hearses, I understand, are waiting to take them back there.'" The motion for the extension of the facilities for smoking was defeated by a majority of twenty-three votes, and as an indirect result the Marlborough Club was founded. The late King Edward, at that time Prince of Wales, is said to have sympathized strongly with the defeated minority at White's, and to have interested himself in the foundation of the Marlborough; where, "for the first time in the history of West End Clubland, smoking, except in the dining-room, was everywhere allowed." By "smoking" is no doubt here meant everything but pipes, which were not considered gentlemanly even at the Garrick Club at the beginning of the present century. The late Duc d'Aumale was a social pioneer in pipe-smoking. His caricature in "Vanity Fair" represents him with a pipe in his mouth, although he is wearing an opera-hat, black frock-coat buttoned up, and a cloak.
From Chapter 14: Knockdunder's pipe, according to Scott, was made of iron. This was an infrequent material for tobacco-pipes, but there are a few examples in museums. In the Belfast Museum there is a cast iron tobacco-pipe about eighteen inches long. With it are shown another, very short, also of cast iron, the bowl of a brass pipe, and a pipe, about six inches in length, made of sheet iron.
